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There Will Always Be the Odeon

Jay McInerney’s lost New York

Jay McInerney’s Yuppie New York

The novelist has spent a career mocking and romanticizing the lifestyle of New York’s bourgeoisie. Now, in his latest, he examines as they come to the end of their lives.

Jay McInerney’s latest novel, See You on the Other Side, opens—humorously, fittingly—at the Odeon in Manhattan. “Stepping out of the cab into the twilight,” McInerney writes, “he felt a rush of nostalgia at the sight of the red-and-white neon sign hovering above West Broadway like an old movie title materializing on a dark screen.”

The glamorous Tribeca brasserie was made famous, or maybe more famous, in McInerney’s zippy, funny 1984 debut, Bright Lights, Big City, a work that, alongside Bret Easton Ellis’s Less Than Zero, came to define an era and an attitude. It was the 1980s; bratty literary boys in blazers did cocaine in various downtown New York hot spots. For readers who have not engaged with McInerney’s work since then, it may come as a surprise (or not) that he has returned to the source—that is, the Odeon—many times.

Plenty of writers spend their careers circling the same preoccupations, the same geographical locations, the same set of human problems. But it is rare to find the novelist who has done so on such a hyper-specific level. At least four of McInerney’s nine novels involve the same neon-lit patch of ground on West Broadway and Thomas Street.

See You on the Other Side is the fourth, and likely the last, in McInerney’s Calloway series, which follows the Manhattan “golden couple” Russell and Corrine Calloway over the course of a long marriage. Reading it, I wondered how McInerney could possibly wring any new observations out of the same neighborhood, social milieu, and marriage. Could he perform a miracle and hit us with something new and profound about the Odeon’s mahogany bar and legendary bathroom, about staying married in spite of Manhattan’s many hazards, about going out in New York and growing old there?

See You on the Other Side: A Novel

The novel opens in the early days of Covid. As the virus bears down on the city, Russell and Corrine, now in their 60s, arrive at the Odeon to celebrate their old friend Washington Lee’s 35th wedding anniversary. Russell’s career has apparently flourished since we last met him; he now runs a publishing house, while Corrine, formerly a stockbroker, works for a nonprofit dealing with hunger. They have just moved from a town house in Harlem to a downtown apartment after the departure of their adult children.

The virus, at this point, is still a vague threat. The Calloways and their friends are not yet acclimated to the idea of social distancing or to the elbow bump, the “new greeting in this time of incipient plague”; they keep forgetting and kissing each other’s cheeks. But sharp, sensitive Corrine is nevertheless worried. “She was very concerned about the virus that had infiltrated their city,” McInerney writes, “convinced that it posed a serious threat, and as they gingerly navigated the room, they found others who shared her concern.” It takes about 100 pages, but that concern is finally validated: Corrine contracts the virus and has to quarantine in their new apartment. Meanwhile, Russell flirts with the idea of having an affair with a young novelist (Russell is more or less always flirting with the idea of having an affair) and tries to hold the publishing house together.

While the pandemic is everywhere in the book, See You on the Other Side proves to be a Covid novel without much to say about life during Covid. Corrine weathers her bout with the virus, while Russell grumbles about masking at Citarella. His fellow shoppers, he notes, look like “Japanese commuters.” The book’s style is reference-heavy without being especially satirical, a catalog of cultural figures, magazines, restaurants, and nice wines. A non-exhaustive list of mentions in the first half of the novel includes n 1, Kanye West, Harvey Weinstein, The New York........

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