It’s been almost a decade since the #MeToo movement promised to bring abusers in Hollywood to account. I’ve watched with interest as films have interrogated the moment in the years since. In 2020, there was Promising Young Woman, in which Carey Mulligan played a woman hellbent on punishing those who get away with abuse. And in 2023, Women Talking focused on a group of American Mennonite women who meet to discuss their future after discovering a history of rape in the colony.

Sorry Baby, which won awards at this year’s Sundance Film Festival, joins this decade of conversation. The film follows Agnes (played by the film’s writer-director Eva Victor), an English professor at a small American college, in the aftermath of a sexual assault.

The story, based on Victor’s own experiences, is structured in non-linear chapters that encompass the time after, before and during the abuse. This makes for an unflinching yet nuanced depiction of trauma’s aftermath. As our reviewer argues: “Victor portrays her female characters in a broad light, not allowing them to be solely defined by trauma, and in doing so allows something truly authentic to........

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