CounterPunch Exclusives

CounterPunch Exclusives

Sound Grammar: When Hendrix Hit Home

George Floyd and Jimi Hendrix Mural, Milwaukie, Oregon. Photo: Jeffrey St. Clair

If I don’t meet you no more in this world then I’ll meet you on the next one And don’t be late, don’t be late… –Jimi Hendrix, “Voodoo Child (Slight Return)”

If I don’t meet you no more in this world then I’ll meet you on the next one And don’t be late, don’t be late…

–Jimi Hendrix, “Voodoo Child (Slight Return)”

On a spring night in 1967, the manager of the Savoy Theatre told the young guitar phenom Jimi Hendrix that Paul McCartney and George Harrison would be in the audience for the band’s final show in London. About an hour before going on stage Hendrix, Noel Redding, and Mitch Mitchell hastily rehearsed “Sgt. Pepper’s Lonely Heart’s Club Band.” They opened their set with a blistering version of the song, which had only been released by The Beatles three days earlier.  By his own account, McCartney was so blown away by the performance that he began incessantly talking up Hendrix to other musicians and producers, including the organizers of the Monterey Pop Festival, who soon invited the new band to perform at the big concert on the California coast three weeks later.  Hendrix closed the Monterey performance, vividly recorded by DA Pennebaker’s cameras, with a vicious cover of Chip Taylor’s rave-up “Wild Thing,” where 90,000 heads were blown, when he lit his crackling Stratocaster on fire and tossed the shrieking guitar into the crowd. Music was never the same.

Three completed studio albums: Are You Experienced? (1967), Axis: Bold as Love(1968), Electric Ladyland (1969). That’s all we have from Jimi Hendrix. Each distinctive. Each meticulously crafted. Each musically innovative and........

© CounterPunch