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Lifestyle The New Sober Boom Getting Hooked on Quitting

Getting Hooked on Quitting

Education Liberal Arts Cuts Are Dangerous Is College Necessary?

Liberal Arts Cuts Are Dangerous

Is College Necessary?

Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset

Dying Parents Costing Millennials Dear

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Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

SEC vs Celebrity Crypto Promoters

‘Dark’ Personalities Drawn to BTC

Reviews Lifestyle The New Sober Boom Getting Hooked on Quitting Education Liberal Arts Cuts Are Dangerous Is College Necessary? Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Lifestyle The New Sober Boom Getting Hooked on Quitting

Getting Hooked on Quitting

Education Liberal Arts Cuts Are Dangerous Is College Necessary?

Liberal Arts Cuts Are Dangerous

Is College Necessary?

Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset

Dying Parents Costing Millennials Dear

Gen Z Investing In Le Creuset

Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

SEC vs Celebrity Crypto Promoters

‘Dark’ Personalities Drawn to BTC

“Disclosure Day” is Steven Spielberg’s last word for humanity

Cinema's great optimist returns to sci-fi with a plea for compassion. Will we listen?

Published June 13, 2026 1:30PM (EDT)

Steven Spielberg is Hollywood’s perennial Pollyanna. Through half a century of creature features, epic disasters, sprawling adventures, quirky character studies and electrifying political thrillers, Spielberg has maintained his hope. He’s also let his hand get heavier, painting his optimism in broad, unmistakable strokes for anyone searching for something to hold onto in an increasingly divided and combative world outside the movie theater. But his highly anticipated return to the sci-fi summer blockbuster, the brilliant and beguiling “Disclosure Day,” is Spielberg’s most shameless appeal toward idealism yet. So unabashed, in fact, that his earnestness makes a familiar allegory take on powerful new resonance, as if Spielberg were trying to convey that humanity can still have a do-over.

Desperately trying to retrieve a trove of stolen government secrets that will prove the existence of extraterrestrial life, Noah Scanlon (Colin Firth) — the director of a secret military contractor, Wardex — warns of the ramifications to a Wardex defector, Hugo (Colman Domingo). “It is a virus for which humanity has no cure,” Noah tells his former colleague, implying the mass hysteria caused by the confirmation of aliens will only drive us closer to ruin. Six years after the COVID-19 pandemic ravaged the world and put society on the fast track for self-destruction, the metaphor initially feels overbearing, another indication that Spielberg is laying it on too thick. But for as transparent as Spielberg’s filmmaking has become over the years, one has to think that a master of his craft is highly aware of what he’s doing. Every detail is considered. We might be trying to move forward and accept the pandemic’s effects on our lives just to survive. But Spielberg wonders: Why must we adapt to harsher conditions if the answer is right in front of us, and all we have to do to thrive is open our eyes?

(Universal........

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