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Coleman Spilde

Coleman Spilde

The Daily Beast

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With “The End of Oak Street,” dinosaur fans may finally have their movie

After years of sequels, a mysterious new film has reignited the dino fandom with something new

12.04.2026 5

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Coleman Spilde

Movies should make us uncomfortable

"The Drama" opened to box office success and ample controversy, but the film is far more than its discourse

09.04.2026 4

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Coleman Spilde

“Hag” is a Tubi movie to rule them all

The thriller is the most fun you'll have not paying for a movie all year. And it's just the tip of the Tubi iceberg

05.04.2026 6

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Coleman Spilde

The audacious twist of “The Drama” holds a mirror up to America

In Kristoffer Borgli's bold new film, Zendaya and Robert Pattinson claw at Western disaffection until it bleeds

03.04.2026 6

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Coleman Spilde

The distressing death of the mall movie

In "Forbidden Fruits," the shopping mall is a shell of its former on-screen self — maybe that's a good thing

02.04.2026 5

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Coleman Spilde

Horror’s favorite formula is wearing thin

Between "They Will Kill You" and "Ready or Not 2," stylized horror-comedy about the underdog has lost its edge

29.03.2026 8

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Coleman Spilde

Sofia Coppola taps the whimsy of ’90s Marc Jacobs

"Marc by Sofia" is a punk rock documentary foray into exciting territories old and new

27.03.2026 1

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Coleman Spilde

Sarah Michelle Gellar has outgrown “Buffy”

With the "Buffy" revival scrapped and "Ready or Not 2" downplaying her charm, it's time for Gellar's true next act

26.03.2026 3

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Coleman Spilde

Rose Byrne’s strange post-Oscars move

The conveniently timed "Tow" is a less-than-fitting rebound for a best actress nominee, but don't blame Byrne

22.03.2026 10

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Coleman Spilde

“Project Hail Mary” is movie medicine

The Ryan Gosling-led adaptation of Andy Weir's bestseller is a moving, must-see roadmap through our future

21.03.2026 20

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Coleman Spilde

“Reminders of Him” makes the case for melodrama

The latest Colleen Hoover adaptation shows how mid-budget tearjerkers can still draw audiences

19.03.2026 10

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Coleman Spilde

The 2026 Oscars were (almost) optimistic

Host Conan O'Brien wanted the ceremony to indicate hope for the future. It only hit the mark half the time

16.03.2026 10

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Coleman Spilde

“Undertone” embodies horror’s crucial less-is-more lesson

A24's latest chiller is a master class in getting under the skin — until it falls back on old tricks

15.03.2026 10

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Coleman Spilde

The most powerful Oscar nominee you didn’t see

"All the Beauty and the Bloodshed" shows how Nan Goldin challenged the Sackler family with artistic protests

14.03.2026 20

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Coleman Spilde

Why Oscars season in Trumpworld makes us so mad

From a "La La Land"–"Moonlight" fiasco to Chalamet’s opera drama, awards debates now mirror Trump-era culture wars

11.03.2026 7

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Coleman Spilde

“Frankenstein” needed a woman’s touch

Maggie Gyllenhaal’s "The Bride!" is deeply flawed — and more exciting than any recent take on Mary Shelley's work

08.03.2026 10

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Coleman Spilde

“All the President’s Men” was a warning

Nearly 50 years later, the film feels less like a triumphant ode to journalism than a warning about media decay

07.03.2026 10

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Coleman Spilde

Film is — and always will be — political

With studios merging and slashers becoming controversy catalysts, cinema needs to be considered a political tool

06.03.2026 10

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Coleman Spilde

In “Industry,” queerness is capital

The gripping HBO drama is gayer than ever, but don't expect its backstabbing characters to make a fuss about it

01.03.2026 20

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Coleman Spilde

The women of “Pretty in Pink” deserved better

Forty years on, it's time to admit John Hughes' film is worse off for dulling Andie and Iona's shine

01.03.2026 10

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Coleman Spilde

“Fargo” at 30: How “Minnesota nice” endures amid violence and unrest

Marge Gunderson’s quiet decency mirrors the ongoing resolve of Minnesotans who continue to choose community

07.02.2026 10

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Coleman Spilde

“A Mighty Wind” is Catherine O’Hara’s emotional tightrope act

The actor's singular balance of absurdity and sincerity defined Christopher Guest's mockumentaries

05.02.2026 7

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Amanda Seyfried’s “Housemaid” performance is a cinema-saving miracle

A fearless, over-the-top performance shows why movies at the edge of camp and prestige still matter

31.01.2026 9

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Coleman Spilde

15 years later, “Scary Island” still sets the standard for “Housewives” chaos

"Real Housewives of New York City" experts weigh in on the beginning (and end) of RHONY’s Golden Age

28.01.2026 10

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Coleman Spilde

“The Rip” is a new low for Netflix’s mindless filmmaking

Ben Affleck and Matt Damon's cop caper is a repetitive, over-explained slog perfect for zapped attention spans

25.01.2026 10

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Coleman Spilde

Elle Fanning’s Oscar nomination still undersells her year

In "Sentimental Value" and "Predator: Badlands," Fanning showed off a singular, dynamic range few others could

25.01.2026 20

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Coleman Spilde

How the viewers changed the Oscar race

Grassroots enthusiasm for performances like those by Amy Madigan and Wunmi Mosaku is shaping voters' picks

23.01.2026 10

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Coleman Spilde

“A Private Life” is Jodie Foster’s moving French masterpiece

Foster's fluency reminds us how much we can learn — and how close we can become — with a second language

19.01.2026 10

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Robyn reframes motherhood and desire

"Sexistential" confronts the idea that new mothers must abandon pleasure and the dance floor

10.01.2026 20

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Will 2026 bring back the blockbuster?

Audiences are seeking lively shared experiences with their fellow moviegoers — and redefining success along the way

06.01.2026 10

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Coleman Spilde

Three sequels worth watching in 2026—and three to avoid at all costs

From "The Devil Wears Prada" to "The Hunger Games," here are the films that'll avoid a chronic case of sequelitis

04.01.2026 20

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Coleman Spilde

Do women love “Heated Rivalry” too much?

The female fans who led the charge in making the gay hockey romance a hit are also the ones policing its subjects

02.01.2026 40

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Coleman Spilde

Movie stars want to direct. It’s not always a great idea

Kristen Stewart and Kate Winslet's debut features prove not every actor is cut out to step behind the camera

01.01.2026 10

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Coleman Spilde

“The Testament of Ann Lee” shows us that utopia is possible

The bold pseudo-musical about the founder of the Shakers caps the year on a hopeful, brilliant note

27.12.2025 20

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What “Marty Supreme” loses in its quest to be the best

Timothée Chalamet and director Josh Safdie pursue greatness at all costs in their thrilling, meta new film

25.12.2025 10

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The timeless gift of Scrooge

From the Muppets to "A Diva's Christmas Carol," the holiday spirit grants us the ability to hope for a better world

24.12.2025 10

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Coleman Spilde

The patron saint of 2025 is . . . Gwyneth Paltrow?

Paltrow laughed off biographers and adulterers before turning in one of her best roles. We can learn a thing or two

22.12.2025 10

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Coleman Spilde

Not the last picture show: A small-town theater brings hope to the heartland

So it turns out you can go home again — and what I found in two North Dakota movie theaters was marvelous

18.12.2025 10

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Coleman Spilde

“When Harry Met Sally” is Rob Reiner’s everlasting message of love

A classic scene written to reflect Reiner's love for his wife, Michele, embraces a brighter future

17.12.2025 10

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Coleman Spilde

9 films that helped decode 2025’s absurd reality

Amid scandals, boycotts and political turmoil, these standout films helped us keep perspective

05.12.2025 60

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The new “Vanderpump Rules” is Bravo’s losing bet

The network opted for a total overhaul of the reality franchise at its peak. The result is a boozy head-scratcher

03.12.2025 20

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Coleman Spilde

“Sentimental Value” is the Thanksgiving film for the fractured family

Joachim Trier's tender film explores the shame in being unable to communicate with those we're supposed to love

28.11.2025 10

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Coleman Spilde

“Eternity” challenges cinema’s obsession with the afterlife

This potpourri of different afterlife movies quickly gets to the heart of why we fear death

27.11.2025 10

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Coleman Spilde

“Wicked: For Good” sinks under its greed

The continuation of last year's inevitable smash aims for nothing but cash. It's franchise filmmaking's rock bottom

22.11.2025 20

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Coleman Spilde

In “Christy,” Sydney Sweeney’s only fighting herself

Sweeney's boxing biopic is an Oscar vehicle quickly running out of gas, thanks to its star's lack of conviction

08.11.2025 10

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In “Die My Love,” Jennifer Lawrence rescues a film from itself

With some of her best work yet, Lawrence keeps this portrait of a woman undone from spiraling out of control

08.11.2025 10

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Coleman Spilde

It’s a rough world out there. Kids deserve to know

Two new animated films, "Arco" and "Little Amélie," teach kids how to relish joy in a dark and scary world

05.11.2025 10

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Coleman Spilde

“Bugonia” finds radical power in listening

In Yorgos Lanthimos' latest, Emma Stone is not an alien intent on destroying Earth — if only anyone would listen

31.10.2025 10

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Coleman Spilde

Lily Allen’s “West End Girl” is a breakup album for a parasocial world

On her fifth album, Allen's the one taking ex David Harbour to task. Why's everyone else so keen to join in?

29.10.2025 10

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Coleman Spilde

Netflix’s current Christmas slate has left us cold. What went wrong after its promising start?

The Netflix Christmas Universe has graduated from silly to insipid, and we won't stand for it one moment longer

29.10.2025 10

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Coleman Spilde