Reviews Lifestyle The New Sober Boom Getting Hooked on Quitting Education Liberal Arts Cuts Are Dangerous Is College Necessary? Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Lifestyle The New Sober Boom Getting Hooked on Quitting

Getting Hooked on Quitting

Education Liberal Arts Cuts Are Dangerous Is College Necessary?

Liberal Arts Cuts Are Dangerous

Is College Necessary?

Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset

Dying Parents Costing Millennials Dear

Gen Z Investing In Le Creuset

Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

SEC vs Celebrity Crypto Promoters

‘Dark’ Personalities Drawn to BTC

Reviews Lifestyle The New Sober Boom Getting Hooked on Quitting Education Liberal Arts Cuts Are Dangerous Is College Necessary? Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Lifestyle The New Sober Boom Getting Hooked on Quitting

Getting Hooked on Quitting

Education Liberal Arts Cuts Are Dangerous Is College Necessary?

Liberal Arts Cuts Are Dangerous

Is College Necessary?

Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset

Dying Parents Costing Millennials Dear

Gen Z Investing In Le Creuset

Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

SEC vs Celebrity Crypto Promoters

‘Dark’ Personalities Drawn to BTC

Sofia Coppola taps the whimsy of ’90s Marc Jacobs

"Marc by Sofia" is a punk rock documentary foray into exciting territories old and new

Published March 27, 2026 10:30AM (EDT)

Slumped into folding chairs inside his New York studio, renowned designer Marc Jacobs and his brand’s creative director, Joseph Carter, ponder the mood of Jacobs’ Spring 2024 ready-to-wear collection. Jacobs and Carter had spent days stacking wigs onto more wigs, playing with cartoonishly large shapes from head to toe, trying to see what beauty and accessories might look best with the collections’ oversized garments. Behind the camera, Jacobs’ friend and occasional creative collaborator, Sofia Coppola, asks whether they’re favoring a serious look, or something more eccentric — in line with Jacobs’ reputation. “We’re leaning towards entertainment,” Jacobs says, before a wry smile creeps onto his face. “And joy.”

Fusing couture-level spectacle with crowd-pleasing performance has long been Jacobs’ M.O. Since his early days designing for Perry Ellis, fresh off a winning showcase at the Parsons School of Design’s end-of-term fashion show, Jacobs has relished throwing a wrench in the system. In the early ’90s, a distinct penchant for mischief and a grittily glamorous New York edge quickly earned Jacobs the........

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