"Digger" and the Problem of Failed Satire
Satirists employ irony, exaggeration, and humor to ridicule their targets.
Audiences may fail to appreciate the satiric intentions of authors and filmmakers.
"Digger" is the latest in a long line of satiric misfires.
Few actors are a more reliable box-office draws than Tom Cruise: Worldwide, his films have grossed over $13 billion during his career. Director Alejandro Iñárritu has twice been honored with the Academy Award for best director (for "Birdman" and "The Revenant"). A movie that combines their formidable talents seems like a sure-fire winner—at least on paper.
But things didn’t turn out that way. In early October, "Digger" was released theatrically, and it generated domestic ticket sales of just $8 million over its opening weekend.
After three weekends, the film has earned just $42 million worldwide—far short of the revenue needed to recoup its production and marketing costs (estimated at $300 to $350 million in total). It is being widely described as a box-office bomb.
What went wrong? In hindsight, it’s easy to point fingers. Perhaps it was the film’s idiosyncratic trailer, or maybe a confusing marketing campaign was to blame.
But another reason for its underperformance may be the film’s genre. Digger is a satirical black comedy, and satire is notoriously difficult to execute—or even to be recognized as such.
Satirists have traditionally used tools like irony, exaggeration, and humor to lampoon their targets.........
