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Sharon WaxmanThe New York Times |
The success of “The Odyssey,” and the potent political ideas at its core, only prove how tiresome the prerelease debate about “woke” really was.
In Tel Aviv, there’s a feeling that “we are on our own.”
Fewer movie stars, fewer oligarch megayachts in the bay, fewer parties and ever more desperate paparazzi.
As the sale of Warner Bros. Discovery to Paramount Skydance hurtles toward board approval, David Zaslav is about to be more than an accidental mogul.
Anxiety about Netflix gives way to anxiety about layoffs.
The Warner Bros. deal has the town on edge.
Should filmmakers have to take a stand on the Israel-Palestine conflict?
The entertainment industry is tired of being so progressive.
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