Christie’s Locks in the $450 Million S.I. Newhouse Collection
Business Finance Media Technology Policy Wealth Insights Interviews
Art Art Fairs Art Market Art Reviews Auctions Galleries Museums Interviews
Lifestyle Nightlife & Dining Style Travel Interviews
Power Index Nightlife & Dining Art A.I. PR
About About Observer Advertise With Us Reprints
Christie’s Locks in the $450 Million S.I. Newhouse Collection
The upcoming single-owner sale of 16 masterworks from Newhouse's collection will be led by iconic museum-scale works by Pollock and Brancusi, each with an estimate in the $100 million range.
It’s official: after Katya Kazakyna at Artnet News leaked the news, Christie's has confirmed it has secured 16 trophy pieces from the collection of media mogul and power collector S.I. Newhouse, to be offered in a separate single-owner sale, Masterpieces: The Private Collection of S.I. Newhouse, that will open and headline the house’s May Marquee auctions alongside other notable collections—including a combined $80 million worth of works from Agnes Gund’s collection.
Sign Up For Our Daily Newsletter
Thank you for signing up!
By clicking submit, you agree to our terms of service and acknowledge we may use your information to send you emails, product samples, and promotions on this website and other properties. You can opt out anytime.
The S.I. Newhouse selection will be led by a seminal work by Jackson Pollock: the monumental Number 7A (1948). Measuring 131.5 inches (334 cm) wide—the largest drip painting by Pollock remaining in private hands—the work presents a dynamic composition executed in his signature dripping technique, not unlike the example hanging at the Museum of Modern Art. It comes to auction with an estimate in the $100 million range; no equivalent work has appeared at auction in recent years. (Pollock’s current auction record was set at Christie’s in 2013, when Number 19 (1948), enamel on canvas, sold for $58.4 million.)
Boasting a remarkable provenance beginning with the photographer Herbert Matter, to whom Pollock gifted the work, and extending to collectors Kimiko and John Powers, the painting has been out of public view for nearly half a century, since its last showing at the Whitney Museum of American Art in 1977. While the masculine myth surrounding many Postwar male painters has faded, the Pollock legend may still trigger strong market interest. In November 2024, a smaller but iconic painting sold at Phillips for $15.3 million, although the auction house later filed a lawsuit against film........
