On the screen, horrific images of World War II flicker, showing the skeletal figures of Jewish men, women and children in Nazi concentration camps being marched into the horrors of the “Final Solution.”

It is a sombre cinematic and television ritual we have come to expect. Yet, if one observes the scheduling of these screened tragedies, a pattern emerges.

Whenever the state of Israel faces widespread condemnation for its brutal excursions in the Middle East, the Western entertainment industry develops a sudden, renewed obsession with Jewish victimhood during the last world war.

This is what media scholars call “affective management”, a term describing how our emotional responses are curated by those who control the narrative. In 1988, academics Edward Herman and Noam Chomsky examined this as an attempt to mitigate the public relations (PR) disaster of the present with the trauma of the past.

By re-running the tragedy faced by the Jewish people at the hands of the Nazis, the Western entertainment industry provides a moral counterweight that often dilutes contemporary criticism of Israeli state violence. The criticism becomes ‘antisemitism’.

In the 1970s and 1980s, as Israel’s image gradually mutated from the ‘underdog’ of 1948 to a regional leviathan, especially following its 1982 invasion of Lebanon, Western airwaves were hit with a wave of Holocaust dramas. The 1978 NBC miniseries Holocaust did not just win Emmys. It reached hundreds of millions of viewers precisely as the international community began to grapple with Israel’s diplomatic isolation at the United Nations (UN).

From acclaimed Holocaust dramas to nationalist blockbusters, the strategic revival of past trauma can influence public perception, shifting attention from present-day violence to the moral weight of historical suffering

From acclaimed Holocaust dramas to........

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