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Naima MorelliAl Monitor |
"You have to believe in the artists," she tells Observer. "You have to have conviction. If we do not put that energy into artists, no one else will."
As the global art world splintered across multiple destinations in early February, Marrakech and 1-54 quietly asserted their relevance.
By sharing infrastructure and audiences, the two fairs could reshape how Southeast Asian art is encountered by collectors from in and outside the...
Curating should be an adaptive process rather than a thesis to prove, Solveig Øvstebø, director of the Astrup Fearnley Museum of Modern Art, tells...
Her exhibition at NIKA Project Space in Paris turns impermanence into an act of creation and disappearance into a quiet form of resistance.
With Russian MiG-31 fighters encroaching on Estonian airspace and drones penetrating Polish skies, political unrest is increasingly shaping the way...
“This is not about ticking boxes with blue-chip names. Every work here is chosen for its relation to Kazakhstan," founder Nurlan Smagulov told...
Perhaps the most radical gesture in art today is conceiving an exhibiton as a moment of beauty, care of place and respect.
Titled "Shelter: Below and Beyond, Becoming and Belonging," the Helsinki Biennial's third edition has an urgent message that risks being lost in its...
“We need a space of connection between the market and the galleries,” fair cofounder Edgar Gadzhiev told Observer.
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