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James WaltonThe Spectator |
Reviewing Sky’s The Heist before Christmas last year, I suggested that all feature-length festive television dramas begin with credits announcing a...
‘I hope we passed the audition,’ said an alarmingly youthful Bob Geldof at one point in The Making of Do They Know It’s Christmas? He was, of...
Toy Story or The Godfather? Which way would Paddington in Peru go? Would the third instalment of a much-cherished series prove even better than the...
In the second of this week’s two episodes of Generation Z (Sunday and Monday), a teenage girl called Finn wondered why her friend Kelly was so...
In advance, Ludwig sounded as if it was aimed squarely at the Inspector Morse market. Set among spires of impeccable dreaminess (in a cunning...
Earlier this year, ITV brought us Red Eye, a six-part drama set mainly on an overnight plane from London to Beijing. Displaying a heroic...
When was the last time you described – or indeed thought of – someone’s face as ‘even-featured’, ‘angular’ or ‘refined’? If the answer is never, I...
On Saturday, Made in Korea: The K-pop Experience began by hailing K-pop as ‘the multi-billion-pound music that’s taken the world by storm’....
Narrated by Meryl Streep, Corridors of Power: Should America Police the World? announced the scale of its ambition straight away. Before the...
If you transcribed the narrator’s script in almost any episode of Horizon, you’d notice something striking: an awful lot of the phrases would end...
A partly subtitled show set in Istanbul might sound like a brave departure for a BBC Sunday night crime drama. But in fact, if you strip away The...