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Barry LangfordThe Conversation |
For Willem Dafoe’s Ed, being part of an artistic coterie after decades as a forgotten poet is like the pleasurable twitch of a phantom limb.
With little revelation, it’s an indictment of the film’s inability to discover dramatic life in these potentially rich scenes.
In its rapid pacing, brief runtime and propulsive, hard-boiled action, Normal positions itself as a latter-day B-movie and mostly delivers.
For a decade the architect Albert Speer enjoyed a unique position as courtier and protege to Adolf Hitler. A new novel examines the man, and his lies.
Despite handsome production design, almost nothing in Freddie’s story has a ring of authenticity.
The Mastermind is a fascinating companion piece to Paul Thomas Anderson’s smash hit, One Battle After Another.
Thirty-two years, six Jurassic iterations and countless monstrous digital apparitions later, the wow factor is a distant memory.
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