It was a scandal right out of a Philip Roth novel: Days after the publication in 2021 of his long-awaited biography of Roth, author Blake Bailey was credibly accused of sexual misconduct. The publisher pulled the book, pulping all the copies.

Even before the uproar, many younger readers lumped Roth among the “great white males” of mid-20th-century literature, and throughout his career Roth was dogged by accusations that he was a misogynist, both in his fiction and his private life. The scandal seemed to confirm these accusations by proxy, conflating the author and his biographer.

Stanford historian Steven J. Zipperstein had already begun his own biography of Roth before the author died in 2018 and while Bailey’s book was under contract. “Philip Roth: Stung by Life,” part of Yale University Press’s “Jewish Lives” series, isn’t meant as a corrective to Bailey’s book or the fallout. But it does argue why Roth remains relevant and vital, especially to current Jewish discourse.

Writes Zipperstein: “He would probe nearly every aspect of contemporary Jewish life: the passions of Jewish childhood, the pleasures and anguish of postwar Jewish suburbia, Israel, diaspora, the Holocaust, circumcision, the interplay between the nice Jewish boy and the turbulent one deep inside.”

Zipperstein is the Daniel E. Koshland Professor in Jewish Culture and History at Stanford University, whose previous books include “Pogrom: Kishinev and the Tilt of History.” He first met Roth when he invited the author to speak to his colleagues and graduate students at Stanford. Roth showed up with a blonde woman in a silky blouse — not his wife at the time, actress Claire Bloom — and proceeded to spend the session flirting with her. His students were not amused.

They met again over the years under less antic circumstances and Roth gave his blessing to Zipperstein’s project. “We carried on a series of conversations, and he introduced me to his loyal entourage, and made it clear to them that they could share things with me that they otherwise might not have shared,” Zipperstein told me.

In our conversation, held over Zoom this week, Zipperstein and I spoke about how Roth scandalized the Jewish world with early works like “Goodbye, Columbus” and “Portnoy’s Complaint,” how he both resented and cherished his Jewish readers, and why so much of his prodigious output still holds up.

The interview was edited for length and clarity.

How did you come to write a biography of Philip Roth? He already had an authorized biographer, so what did you hope to bring to your book?

I’d met Roth years ago at Stanford — there’s a brief mention of it in the book. After I finished “Pogrom” there was this long pause before it came out [in 2018], and I started wondering what I might do next. I’d helped found the “Jewish Lives” series, and Roth seemed a pretty good fit.

But honestly, he’d been in my head long before that. I first read him in Partisan Review — a chapter from “Portnoy’s Complaint” called “Whacking Off” — just before I went off to the Chicago yeshiva. I was raised in an Orthodox family, wrestling with whether I could stay in that world. And Roth’s voice — it stuck with me. Not because of the masturbation, but because Portnoy has all this freedom and he’s miserable. That hit home. It told me that leaving the world I was raised in wasn’t going to be simple, and that freedom wouldn’t necessarily make me happy. That realization — about freedom and its discontents — has stayed with me my whole life as a historian.

Then, years later, I came across the recording of the Yeshiva University event in 1962 — the one Roth described as a kind of Spinoza-like excommunication. The tape told a completely different story. That was the moment I........

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