In January 1924, two young women on a Toronto Queen St. streetcar caught sight of Ernest Hemingway’s battered green hat.

They giggled among themselves that he might be Red Ryan, the city’s fugitive bank robber.

So reported John Hadley in the Toronto Star story “The Freiburg Fedora: Must Wear Hats Like Other Folks If You Live in Toronto” on Jan. 19, 1924. Hadley was Hemingway’s wife’s name, and John, the name of their infant son. Today, it’s clear that Hemingway wrote the story. Journalist and literary historian William White first collected many of Hemingway’s Toronto Star pieces in Dateline: Toronto (1985).

Journalist William Burrill, author of Hemingway: The Toronto Years (1994), later uncovered some 30 additional long-lost stories, including several written under pseudonyms like John Hadley or Peter Jackson. By cross-referencing Hemingway’s papers at the John F. Kennedy Presidential Library and Museum, Burrill demonstrated that “The Freiburg Fedora” was indeed Hemingway’s.

As Burrill notes, Hemingway adopted pseudonyms after reaching his quota with the Star, allowing him to sell additional stories and earn much-needed income for his young family. He first used the John Hadley signature only weeks after the birth of his first son.

With scholars gathering in Toronto in July 2026 to re-examine Hemingway’s Canadian years, “The Freiburg Fedora” offers a compelling opportunity to revisit a neglected moment in Hemingway’s literary development.

Evolution of fiction strategies

The significance of “The Freiburg Fedora” extends beyond its authorship.

Under the guise of Hadley, Hemingway was able to explore the less appealing aspects of himself. The sketch captures him at a pivotal moment when newspaper reporting begins to evolve into literary self-fashioning, anticipating themes and narrative strategies that would later define his........

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