By late summer of 2026, the campaign against America's democratic institutions had become almost dizzying in its reach. It moved through turbulent waters from the Strait of Hormuz to the Lincoln Memorial Reflecting Pool, raised new tariff barriers and imagined golden ballrooms, revived Jim Crow at the polls and McCarthyism at the State Department, and found time, between denunciations of Canadian wildfires and Democratic Socialists of America, to take aim at the Smithsonian Institution.

The widely admired museum, established “for the increase and diffusion of knowledge among men” and celebrating the 180th anniversary of its founding on August 10, 2026, became the object of a sustained assault. Complaining about the institution’s allegedly “woke agenda,” the Trump administration displaced the Smithsonian’s traditional Folklife Festival by holding something it named "The Great American State Fair" in its place. Notwithstanding the failure of the latter, the Smithsonian’s celebration of the US Republic’s Semiquincentennial also drew the administration’s ire.

The resulting “Restoring Truth and Sanity to American History” Executive Order (July 24, 2026) demanded “content corrections” and warning notices across Smithsonian exhibits and buildings. On August 4, a federal funding cut of more than 10% reduced the Smithsonian’s budget to its lowest level in over a decade.

If there was any doubt that the censorship and the budget cut belonged to the same antidemocratic project, Samuel J. Redman, a University of Massachusetts Amherst professor and student of Smithsonian history, notes that he cannot “recall a single instance where exhibits have been directly wrestled with by the upper echelons of the federal government.” Among the administration’s grievances was the Smithsonian’s depiction of race relations. The White House report specifically objected to the Smithsonian framing civil rights activist Emmett Till’s murder as being “not just part of a racist past” but a reflection of “our ongoing present” (p.113). It also decried a Smithsonian web page featuring the bullet-riddled historical marker showing where Till’s body was found in 1955.

Crises become politically meaningful only when people build institutions, practice disruption, invent new forms of solidarity, defend truth, sustain hope, and connect local struggles to global ones.

Grappling with this history and its antidemocratic turn, I sat down to have a conversation with two prominent scholars of social movements, Dr. Aldon Morris of Northwestern University and past president of the American Sociological Association, and Dr. Nara Roberta Silva of the Brooklyn Institute for Social Research and author of an award-winning Brazilian book on the #Occupy movement in the US, for a better understanding of this moment.

The situation in the United States is, after all, not completely unique. Brazil and the United States are both headed into pivotal national elections this fall. Both countries experienced violent coup attempts in 2020. And the two multiracial giants of the Americas are both countries where Black leadership in the struggle for democracy remains critical.

For Dr. Morris, the administration’s consternation at the Emmett Till story is suggestive of the conversations that authoritarians wish to preempt. Mamie Elizabeth Till-Mobley, Emmett’s mom notably insisted on an open casket at his funeral, “I think everybody needed to know what had happened to Emmett Till.” And so, the world saw Till’s mutilated body and his community’s grief, sparking a global movement. It is “the story about how a mother ignited and fired up the country and therewith the world about racial inequality,” Morris observes.

Before drawing general lessons about the long struggle between democracy and authoritarianism, Morris and Silva pause to reckon with the immediate crisis. Both begin from the creativity and agency of social movements, yet Morris—speaking for a generation shaped by the Civil Rights Movement—admits to a profound sense of historical surprise. “We had no idea that we would be here right now,” he reflects. “We did not think that truth itself would become something that was to be banned.” In his view, the administration’s campaign against the Smithsonian is therefore not only a dispute over museum exhibits or Black history. “He is not simply attacking Black history,” Morris argues. “He is attacking the distribution of truth about the relationships between human beings, races, and nations. An attack on something like the Smithsonian is a flash point revealing the kind of trouble we face.”

For Dr. Silva, a scholar of US movements as well as those active in her native Brazil, the administration initiatives are a “defining feature of our historical moment” characterized by “the erosion of the public sphere.” In fact, looking at former Brazilian President Jair Bolsonaro’s negative impact on that country’s democratic project, Silva concludes, that the “very idea of public has been severely damaged.” Although Morris and Silva disagreed about the extent of erosion, both were similarly concerned about authoritarian historical revisionism. Invoking one of Dr. Martin Luther King, Jr.’s favorite quotes, “Truth, crushed to Earth, will rise again,” Morris outlined a hopeful, but by no means certain path into the future. “I think that work like that of Nara and myself shows that human agency among the oppressed is a very important social change factor, and it has to be ignited and energized to make a difference.”

Both thinkers are extremely sober about the prospects for democratic change. Looking at the structure of authoritarian movements in Brazil, Silva suggests that we have to address its broad base, even if it is minoritarian in nature: “Coordination exists at the top, but, as a system, the structure is hydra-headed, with several foci working to galvanize followers, create narrative lines, and break new ground.” As such, progressive projects, while themselves broad based and majoritarian in conception, must necessarily carry out institutional reform and enact “a socioeconomic program that meaningfully addresses the crises that brought about the reemergence of authoritarianism.”

Taking a long view, Morris cautions: “What we see is a dialectical process between oppression and efforts of change, social movement activity... We fought a civil war to overthrow slavery in the 1860s. [W. E. B.] Du Bois showed that it was the agency of the slaves themselves that essentially freed the slaves through the general strike. So we get this brief period that looks like we're finally going to have democracy, equality between the races. That lasts for about 11 or 12 years, and then we get the overthrow of Reconstruction, and all of what came after that. All of the violence against Black people, the lynching, and the Jim Crow regime, right?” The US continued “in this oppressive situation and then comes the Civil Rights Movement” and only to be followed by the current, long rollback. “My sense,” Morris avers, “is that social movements, especially the effective ones, are always trial and error.”

Following along with Silva, Morris offers a transnational vision: “We need grassroots movements connected from the United States to Brazil, to South Africa, to Gaza—to all over including the Congo. What I'm saying is that the struggle has always had these global dimensions, but the world has never been so globalized as it is now. We have to be much more concerned with worldwide democracy, worldwide transformation, because what we know is that the systems of oppression are global.”

Before outlining........

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