The tyranny of pleasure
In the annals of dystopian literature, two names stand as towering sentinels of warning: George Orwell and Aldous Huxley. Their visions, often treated as opposing prophecies, together form a composite map of the modern condition—a condition marked not by overt chains, but by invisible leashes of desire.
In 1932, Aldous Huxley published Brave New World, a novel that did not simply warn of a dark future, but diagnosed an emerging pathology in its infancy. Huxley foresaw enslavement not by tyrants, but by temptations. The totalitarianism he envisioned was not enforced through fear, but through pleasure, with people pacified by entertainment, comfort and pharmacological bliss. The citizens of his world were engineered to be happy—distracted by the omnipresent drug soma, entertained by “feelies” (films that stimulate all the senses) and conditioned from birth to accept their roles without complaint.
There was no Big Brother and no Ministry of Truth—no need. In Huxley’s world, people didn’t rise up because they had no reason to. They were too content, too numb, too distracted to notice the slow erosion of their freedom. Tyranny was internalised, dressed in the warm glow of comfort and artificial happiness.
George Orwell, writing nearly two decades later in 1984, offered an antithetical vision. His dystopia was ruled through surveillance, censorship and violent coercion. The populace was crushed under the weight of an omnipotent state that controlled ‘truth’ through the manipulation of language and history. In Orwell’s world, freedom was destroyed by force. In Huxley’s, it withered away through neglect.
As media theorist Neil Postman once noted, the more prescient of the two was Huxley. “Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us.” Now, nearly a century later, Huxley’s world is not on the horizon—it is our daily reality.
We inhabit an age where the pursuit of pleasure is no........
© The News on Sunday
