On Monday, a majority on the supreme court found a technical way to overrule a lower court’s imperative to stop work, while not taking a stance on whether the whole enterprise might be illegal to begin with. Preservationists, the majority held, appear to lack legal grounds for filing a suit blocking Trump’s ballroom; that means construction will proceed, even if none other than John Roberts, in a dissent, held that “those responsible” were breaking the rules in deciding “what to build up at the People’s House”. The solicitor general John Sauer is on record claiming that 65% of the project is completed (of course, he might have exaggerated – such things are known to have happened in Trump administrations). Either way, it is thus likely that there will be a massive structure next to the original White House; and, given that the ruling will embolden the president dramatically to change Washington DC’s landscape by spending money never approved by Congress, we might be cursed with a triumphal arch as well. All of which raises the question: what to do with a monstrous architectural legacy in post-Trump America?

Some might dismiss the question as a bit of a luxury problem. After all, a war that also demonstrates the ongoing disempowerment of Congress keeps dragging on; ICE continues its cruel day-to-day work; Trump is trying every tactic to make the midterms go his way. But the built environment, and especially the civic landscape of a capital, is never just an afterthought. Buildings and monuments make values visible, as the philosopher Susan Neiman once put it. And the........

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