Catherine Chidgey’s ninth novel, The Book of Guilt, has been hotly anticipated. Following the critical and commercial success of her last two novels, it was the subject of a bidding war between UK publishers. The Book of Guilt is also now the first of her books to be released in Australia at launch: a depressingly rare feat for a New Zealand author.

Chidgey’s career has been defined by a willingness to experiment and innovate with new genres, subjects and forms. Shifting from the New Zealand focus of her recent novels, The Book of Guilt is set in a version of 1979 Britain. It operates as a disturbing thriller that unfolds from three different perspectives.

Review: The Book of Guilt – Catherine Chidgey (Penguin)

While its setting is something of a departure for Chidgey, the novel continues her interest in the legacy of Nazi Germany, which some of her previous works have examined. It also explores the questions of guilt, awareness and moral responsibility which have preoccupied Chidgey in her earlier novels, particularly with regard to characters who are trapped within, or even victimised by, exploitative systems.

Vincent and his triplet brothers William and Lawrence, at 13, are the last children living in Captain Scott House, an isolated countryside home in the Sycamore Scheme (a government program for the care of orphans). Their days are strictly regimented by their three guardians – Mother Morning, Mother Afternoon and Mother Night – who record both their dreams and transgressions, and administer medication to help them overcome a mysterious “Bug”.

The promise is that once they are deemed well enough, they will be relocated to the seaside resort town of Margate, where all the children before them have gone, to enjoy its rides and attractions. Until then, their contact with the outside world is limited.

Elsewhere, 13-year-old Nancy is living in similarly constrained and isolated circumstances. She has been raised by doting parents within the walls of their suburban home, never permitted to step outside. As she starts to chafe at her confinement, she grows increasingly suspicious of her mother and father, and their strange obsession with the Sycamore children.

Finally, the newly appointed Minister of Loneliness has been charged with dismantling the Sycamore Scheme. Its dwindling (unstated) benefits are no longer sufficient to justify the expense of running the houses, and she is left to determine what to do with the remaining children.

She is desperately seeking a positive outcome – something that will mitigate the scandals from the program’s past – while also strangely fearful at the prospect of having to visit Vincent and his brothers at Captain Scott House.

In many ways, the world and period that Chidgey establishes seem familiar. A prime minister........

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