The cost-of-living crisis is hitting the arts hard. Artists struggle to survive on poverty wages and audiences are getting priced out.

This challenge is not unprecedented. In the 1980s, another cost-of-living crisis sparked a bold and imaginative model for embedding artists into the everyday rhythms of working life.

It was 1982. The country was in the grip of stagflation: low growth, high inflation and rising unemployment. The Australia Council for the Arts was reconciling a 20% funding cut. Seeking to offset its cut funds, the council sought out an unexpected partner to launch a community arts program: the Australian Council of Trade Unions.

The “Art and Working Life” initiative sought to celebrate, encourage and support working class art and culture. By embedding artists in workplaces across the country, it enabled workers to practice and develop their artistic skills and expression.

It also addressed two key issues: employment for artists, and increasing the public’s access to the arts.

Unions would sponsor projects and act as employers for the artists involved throughout the project’s........

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