Organised by Vogue, the Met Gala this year was based around the theme of “costume art”. An accompanying exhibition of the same name opens at New York’s Metropolitan Museum of Art on May 10, with a focus on the dressed body.

Responses to the Met Gala – the US fashion event of the year – and its related Costume Art exhibition have been sharply divided. On the one hand, critics have applauded the exhibition’s use of an inclusive range of mannequins, representing a wide group of bodies that go far beyond the normal “model physique”.

On the other, this apparent celebration of diversity has been contrasted with the overwhelming thinness of the red carpet at the Gala, as well as the involvement of its honorary chairs, Amazon founder Jeff Bezos and his wife Lauren Sánchez Bezos. The couple were said to have sponsored the event to the tune of $10m (£7.4m), sparking calls for a boycott.

As the influential fashion commentators Diet Prada noted, this year’s Met Gala was more poorly received than ever before, with speculation rife about why some celebrities were missing the event.

As artwashing is now an established media tactic, the positive elements of the exhibition could be viewed as a distraction from the negative capitalistic associations of its sponsors.

However, in an age dominated by Ozempic and other GLP-1 drugs, an exhibition celebrating bodies of all shapes and sizes does far more than pay politically expedient lip service to the idea of diversity.

Diversity fights back

The exhibition – masterminded by Andrew Bolton, the British-born........

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