menu_open Columnists
We use cookies to provide some features and experiences in QOSHE

More information  .  Close

We got the original “Resident Evil” films all wrong

13 0
23.09.2026

Reviews Lifestyle The New Sober Boom Getting Hooked on Quitting Education Liberal Arts Cuts Are Dangerous Is College Necessary? Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Lifestyle The New Sober Boom Getting Hooked on Quitting

Getting Hooked on Quitting

Education Liberal Arts Cuts Are Dangerous Is College Necessary?

Liberal Arts Cuts Are Dangerous

Is College Necessary?

Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset

Dying Parents Costing Millennials Dear

Gen Z Investing In Le Creuset

Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

SEC vs Celebrity Crypto Promoters

‘Dark’ Personalities Drawn to BTC

Reviews Lifestyle The New Sober Boom Getting Hooked on Quitting Education Liberal Arts Cuts Are Dangerous Is College Necessary? Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Lifestyle The New Sober Boom Getting Hooked on Quitting

Getting Hooked on Quitting

Education Liberal Arts Cuts Are Dangerous Is College Necessary?

Liberal Arts Cuts Are Dangerous

Is College Necessary?

Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset

Dying Parents Costing Millennials Dear

Gen Z Investing In Le Creuset

Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC

SEC vs Celebrity Crypto Promoters

‘Dark’ Personalities Drawn to BTC

We got the original “Resident Evil” films all wrong

Zach Cregger's reboot might surprise, but it can't thrill like its outrageous predecessors

Published September 23, 2026 12:00PM (EDT)

In the sixth and final installment of Paul W.S. Anderson’s original “Resident Evil” film franchise, the writer-director — known for his abrasive, nu-metal vulgar auteurism — raises a middle finger of sorts to his detractors. Over 17 years and thousands of poor reviews, Anderson’s adaptations of the beloved Capcom survival-horror video game series became somewhat famous for pissing off critics and diehard game fans alike. The bulk of Anderson’s sprawling vision chose to forgo the games’ shadowy zombie story for high-octane thrills and compelling (if clunky) commentary on corporate greed, biological warfare, AI and identity. His “Resident Evil” films are unapologetically ambitious and undeniably imperfect, much like their human lead, Alice (Milla Jovovich), whose sole mission is to retain her humanity in a world eating itself alive. In charmingly symbiotic fashion, neither Alice nor Anderson himself is willing to give up on their mission without a fight.

As if Anderson were taking a victory lap to celebrate the impressive feat of making six films in a series that was horribly reviewed but terribly financially successful, a flashback sequence in 2016’s “Resident Evil: The Final Chapter” closes the sextet’s loop. In the scene, set just before the events of 2002’s “Resident Evil,”........

© Salon