Image by Dan Meyers.

Can a play influence public perception of our shared atomic history enough to shift the conversation away from a presumed nuclear “renaissance” and into a more critical, life-protective examination of what this technology is and could do to us all?

Playwright and podcaster Libbe HaLevy believes it can. She spent 13 years researching and writing that play—Atomic Bill and the Payment Due—which will have its premiere staged reading on September 9th as a featured presentation of the 50th anniversary celebration of the establishment of the Peace Resource Center at Wilmington College in Ohio.

For 14 years, HaLevy has hosted the podcast Nuclear Hotseat, aired on 20 Pacifica affiliate radio stations throughout the United States and, as its website (NuclearHotseat.com) says, has been tuned into and downloaded by audiences in over 124 countries around the world.

It was while working on a 2012 episode focusing on the Trinity atomic bomb test in New Mexico that she became aware of journalistic irregularities around that event that piqued her interest.

The play is “a true story about media manipulation at the dawn of the Atomic Age and the New York Times reporter who sold his soul to get the story.”

That reporter is William Laurence, a Pulitzer Prize-winning science reporter at the Times. In 1945, General Leslie Groves, director of the Manhattan Project, arranged with Times publisher Arthur Hays Sulzberger, and Edwin James, its managing editor, to have Laurence secretly inserted into the Manhattan Project. He was the only journalist embedded in the crash program to build the first atomic bombs– a position he relished.

Before World War II broke out and the splitting of the atom first occurred, Laurence wrote in the Times about how atomic energy could for mankind “return the Earth to the Eden he had lost.” He witnessed the Trinity test in New Mexico in July 1945, and wrote the Manhattan Project press release that was distributed afterwards, which claimed only that an ammunition dump exploded and no one was hurt. He had arranged a seat on the Enola Gay for its dropping of an atomic bomb on Hiroshima, but missed getting on—a bitter disappointment. But he did fly on an airplane that followed the B-29 that dropped an atomic bomb on Nagasaki. When the war ended, he wrote articles in the Times glorifying the Manhattan Project and for many years promoted nuclear energy in his stories— ignoring the lethal impacts of radioactivity.

HaLevy sensed a play lurking in the story.

HaLevy has a long background in theatre and playwriting, with more than 50 presentations of her plays and musicals, and multiple awards—most under her previous name, Loretta Lotman.

And she was exposed to the dangers of nuclear energy, having been in a house in Pennsylvania one mile away from the Three Mile Island nuclear power plant when it underwent a meltdown in 1979. She had been staying with friends on a badly timed vacation.

HaLevy authored a book about her experience, Yes, I Glow in the Dark! One Mile from Three Mile Island to Fukushima and Nuclear Hotseat, published in 2018. Dr. Helen Caldicott, author of........

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