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Noah BerlatskyQuartz |
The artwork here is at its most compelling when it engages with what might be called ‘dematerialities’—erasures, absences and displacements.
Gilliam's vision of totalitarianism as both evil and bumbling, with parallels to our current dystopian moment.
John Baldessari, Six Colorful Inside Jobs, 1977; 16 mm film transferred to video (color, silent); 32 minutes, 53 seconds. Museum of Modern Art, New...
Leticia Pardo’s installation migajas (32.53384˚N, 117.12311˚W) is a series of white paper squares in frames suspended from the gallery ceiling....
A decade ago, Christopher Nolan’s Interstellar imagined a near-future of apocalyptic climate change. Dystopia is a Hollywood commonplace, but part...
Arguably the most famous American landscape artist, Ansel Adams, is known for photos that are notably absent of people and, in many ways, absent of...
After The Blair Witch Project made $248 million on a $35,000 budget, studios rushed to create the next found footage sensation. Now, at the film’s...
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