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![]() Farah AbdessamadThe Atlantic |
Wide-ranging works illustrate the artist's range and capture the exhibition's parable: what is destined to live will die, as what dies may rise again.
The Biennial balances global perspectives with local voices proving the city remains a crossroads where art, history and lived experience collide.
In “Opera Rose,” the artist delivers a compelling meditation on form and modern mythology via an exploration of the classical nude and human...
An installation view of “Riverbend.” Nicholas Lea bruno / Courtesy of the artist and The Pit, Los Angeles Art is a space where conversations...
“This summer the roses are blue; the wood is of glass,” André Breton wrote in 1924. “Existence is elsewhere.” His Manifesto of Surrealism...