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Why I withdrew my book from an LGBTQ+ literary prize

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Last week, I withdrew my nomination from the longlist for the Polari first book prize. The awards had become mired in controversy due to the nomination of the Irish author John Boyne, best known for The Boy in the Striped Pyjamas, for the main prize for his novel Earth. Four days before the longlist announcement, Boyne had written in the Irish Independent, celebrating JK Rowling “as a fellow terf” and saying of women who had “pilloried” her for her gender activism: “For every Commander Waterford, there’s a Serena Joy standing behind him, ready to pin a handmaiden down as her husband rapes her.”

I think such a viewpoint is abhorrent, but Boyne is free to hold whatever views he wants. What was unacceptable was a statement from the Polari prize addressing the backlash, emphasising its commitment to “support trans rights and amplify trans voices”, but defending Boyne’s inclusion on the grounds that submissions are assessed purely “on the merits of craft and content” and that “within our community, we can at times hold radically different positions on substantive issues”.

I immediately withdrew upon reading it, after the resignation of judge Nicola Dinan, who won the prize last year, and withdrawal of fellow longlisted author Mae Diansangu. Since then, a further judge has withdrawn and at least 16 authors across both lists have excused themselves from consideration. It was not a difficult or painful decision – I felt misled about the principles underpinning the organisation and I no longer cared to be awarded by it. I have, in the past, been shortlisted for my work alongside writers whose views I did not agree with. But in those instances, their positions didn’t undermine the stated values and politics of the prize. This isn’t a matter of differing views, but of an institution properly and........

© The Guardian