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Black hats, cauldrons and broomsticks: the historic origins of witch iconography

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Whether they’re knocking at your door trick or treating, or hung as decorations in shop windows, witches are rife at this time of year. They’re easy to recognise, wearing tall, pointed hats, carrying broomsticks, or peering into a cauldron – but where did these stereotypes associated with witches come from?

Much like brooms today, in the 1500s the broomstick was a household tool used to sweep hearths and floors. In rural villages, broomsticks were also often used as a form of signage by alewives, who would place them outside their cottages to show that ale was for sale within. Somehow, this innocuous object found its way into stories of witchcraft.

The first image of women flying on broomsticks is believed to be in the manuscript of French poet Martin Le Franc’s Le Champion des Dames (The Defender of Ladies), published in 1485. Women sat astride broomsticks are drawn alongside the text, in the margins of the pages, much as accused witches were often maligned women on the margins of society.

One of the most influential pieces of writing on witchcraft was the Malleus Maleficarum published in 1486 by German clergyman Heinrich Kramer. Kramer’s anti-witchcraft tract alluded to witches flying on anointed broomsticks with the aid of the devil. Given that the work is firmly rooted in misogyny, and depicts witches as a direct threat to the domestic sphere, it’s fitting that such a mundane household item became an object of malice.

Another domestic item, the cauldron, has also become synonymous with witchcraft.

Instead of stews and broths, witches are........

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