The term “handpicked” suggests a bouquet that has been chosen carefully, each flower selected for its colour, form or meaning and relation to the others. The curators of this new exhibition at Kettle’s Yard in Cambridge have certainly achieved a complex yet complementary arrangement.

This small but rich exhibition was picked and approved with the help of The Kettle’s Yard Community Panel – a collective of Cambridge locals working alongside the gallery to help design, plan and curate exhibitions and creative projects.

The works are arranged chronologically starting with Henri Rousseau and ending with contemporary works by Chris Ofili and Lubaina Himid.

Rousseau’s Bouquet of Flowers (1910) is an array of real and imagined blooms with almost jungle-like depth. Rather than travelling abroad for inspiration, Rousseau relied on the Jardin des Plantes in Paris for the “exotic” plants taken from French colonies for his paintings.

In contrast Himid offers the viewer a collection of blooms from peonies to palm leaves, arranged as a repeating pattern, redolent of east African Kanga cloth designs.

The reference to the cloth subtly recalls the........

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