Between 2007 and 2010 Southwark council licensed 76 films to be shot on the high-rise Heygate estate in London’s Walworth area, providing a gritty backdrop for dramas of poverty and crime. This “theatre of stigma”, a term coined by historian of modern Britain Holly Smith, had come to dominate the narrative of high-rise social housing.

But it didn’t chime with the reality of those who live in these places. A decade earlier in Liverpool, mostly elderly residents from the city’s high-rise tower blocks attempted to “challenge perceptions of high-rise living” through the creation of Tenantspin television productions.

The slippery relationship between the representation and reality of high rises and their residents is one that Smith identifies from the earliest case study in her book Up in the Air: A History of High-Rise Britain.

The history of the social housing high-rise has seen them exist in many forms, with varying designs and organisational structures. She also offers a nuanced account of the many contradictions in the high-rise, which “has signified modernity and decay, community and exclusivity, privilege and disadvantage, luxury and privation”.

Even during the boom periods of construction of social housing between 1945 and 1976, flats made up only a fifth of the dwellings built and the majority were in........

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