The Mayhem Ball – the concert tour for Lady Gaga’s 2025 album Mayhem – is set to conclude in April after a global run. The tour delivered everything fans have come to expect from the artist: spectacle, innovation and, above all, immersion in a gothic world.

The production is bursting with macabre theatricality, including concepts and images associated with the gothic tradition. Skeletons, doppelgängers, zombies, candelabra, cloaks, veils, dreams and nightmares are incorporated into intricate set designs and showstopping costumes. Themes of pain, death and rebirth frame the whole narrative of the show.

Gaga has often made interesting use of gothic motifs, so much so that she was a key source of inspiration for my new book Gothic Celebrity: Fame and Immortality from Lord Byron to Lady Gaga. In it, I examine the intersection of celebrity culture and the gothic across literature, visual media and popular culture.

I started writing the book in 2016, inspired by a significant wave of celebrity deaths and the public’s reactions to these losses – including David Bowie, Prince and George Michael. These deaths unsettled many people because modern celebrity culture has established an expectation of the celebrity’s immortality.

Fame, immortality and the gothic

Described by some as the first celebrity, the Romantic poet Lord Byron’s posthumous fame was maintained in the years following his death by various cultural artefacts. These included a statue in Cambridge University’s Trinity........

© The Conversation