In a February 2025 Truth Social post, President Donald Trump declared a “Golden Age in Arts and Culture.”

So far, this “golden age” has entailed an executive order calling for the federal agency that funds local museums and libraries to be dismantled, with most grants rescinded. The Trump administration has forbidden federal arts funding from going to artists who promote what the administration calls “gender ideology.” There’s been a purge of the board of the Kennedy Center for the Performing Arts, with Trump appointing himself chair. And the administration has canceled National Endowment for the Humanities grants.

Suffice it to say, many artists and arts organizations across the U.S. are worried: Will government arts funding dry up? Do these cuts signal a new war on arts and culture? How do artists make it through this period of change?

As scholars who study the arts, activism and policy, we’re watching the latest developments with apprehension. But we think it’s important to point out that while the U.S. government has never been a global leader of arts funding, American artists have always been innovative, creative and scrappy during times of political turmoil.

For much of the country’s early history, government funding for the arts was rarely guaranteed or stable.

After the Civil War, the Second Industrial Revolution facilitated massive concentrations of wealth, in what became known as the the Gilded Age. Private arts funding soared during this period, with some titans of industry, such as Andrew Carnegie and John D. Rockefeller, seeing it as their duty to build museums, theaters and libraries for the public. The heavy reliance on private funding for the arts troubled some Americans, who feared these institutions would become too exposed to the whims of the wealthy.

In response, Progressive Era activists and politicians argued that it was the government’s responsibility to build arts spaces accessible to all Americans.

Efforts to fund the arts expanded with the election of Franklin D. Roosevelt in 1932, as the country was reeling from the Great Depression. From 1935 to 1943, the Works Progress Administration provided jobs with stable wages for artists through the

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