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A Magic Flute that will make you weep

A Magic Flute that will make you weep

Richard Bratby

This museum is a lesson for all curators

This museum is a lesson for all curators

Richard Bratby

Pure feelgood: ENO’s Cinderella reviewed

02.10.2025 10

Richard Bratby

Northern Ireland Opera have a hit: Follies reviewed

Richard Bratby

Anna Netrebko’s still got it

18.09.2025 10

Richard Bratby

The listener / Why are there so few decent French symphonies?

Richard Bratby

The listener / Why are there so few decent French symphonies?

15.09.2025 10

Richard Bratby

The listener / Why are there so few decent French symphonies?

Richard Bratby

Arts / The man who can save classical music

Richard Bratby

Huge Fun: Le Carnaval de Venise reviewed

04.09.2025 10

Richard Bratby

The man who can save classical music

Richard Bratby

A revelation: Delius’s Mass of Life at the Proms reviewed

Richard Bratby

A Brigadoon better than most of us ever hoped to see

Richard Bratby

Arts feature / How the railways shaped modern culture

18.08.2025 10

Richard Bratby

How the railways shaped modern culture

14.08.2025 10

Richard Bratby

Disconcerting but often delightful new Bach transcriptions

14.08.2025 10

Richard Bratby

The excruciating tedium of John Tavener

Richard Bratby

Three cheers for the Three Choirs Festival

Richard Bratby

Classical music / Why has the world turned on the Waltz King?

29.07.2025 10

Richard Bratby

Brilliant rewrite of Shakey: Hamlet, at Buxton Opera House, reviewed

24.07.2025 10

Richard Bratby

Why has the world turned on the Waltz King?

Richard Bratby

A cross between Peter Rabbit and Queen Victoria: Bliss: The Composer Conducts reviewed

Richard Bratby

Opera / A contradictory staging, but the music floods the ear with splendour: Semele at the Royal opera reviewed

Richard Bratby

A contradictory staging, but the music floods the ear with splendour: Semele at the Royal opera reviewed

Richard Bratby

I’ve rarely seen a happier audience: Grange Festival’s Die Fledermaus reviewed

Richard Bratby

The Listener / If you think all orchestras sound alike, listen to this recording

23.06.2025 10

Richard Bratby

If you think all orchestras sound alike, listen to this recording

19.06.2025 10

Richard Bratby

Summer opera festivals have gone Wagner mad

Richard Bratby

Thrilling: Garsington’s Queen of Spades reviewed

Richard Bratby

Sincere, serious and beautiful: Glyndebourne’s Parsifal reviewed

29.05.2025 10

Richard Bratby

The forgotten story of British opera

22.05.2025 10

Richard Bratby

Opera / The forgotten story of British opera

22.05.2025 10

Richard Bratby

A spate of re-releases suggests that Wolfgang Sawallisch was no B-lister

Richard Bratby

Our half-time scorecard on the Royal Opera’s Ring cycle

Richard Bratby

Inspired: Scottish Opera’s Merry Widow reviewed

Richard Bratby

Imagine Dua Lipa releasing an album of Victorian parlour ballads

Richard Bratby

Poulenc’s Stabat Mater – sacred, fervent and always on the verge of breaking into giggles

Richard Bratby

Devastating: WNO’s Peter Grimes reviewed

Richard Bratby

Sunny Schubert and iridescent Ravel: album of the week

10.04.2025 10

Richard Bratby

Splendid revival of an unsurpassed production: Royal Opera’s Turandot reviewed

Richard Bratby

Barbara Hannigan needs to stop conducting while singing

20.03.2025 10

Richard Bratby

The Listener / A luminous new recording of The Dream of Gerontius

18.03.2025 10

Richard Bratby

A luminous new recording of The Dream of Gerontius

13.03.2025 10

Richard Bratby

A dancing, weightless garland of gems: Stephen Hough’s piano concerto reviewed

06.03.2025 10

Richard Bratby

Spreads emotions like jam: Festen, at the Royal Opera House, reviewed

27.02.2025 10

Richard Bratby

Regents Opera’s Ring is a formidable achievement

20.02.2025 20

Richard Bratby

The thankless art of the librettist

06.02.2025 10

Richard Bratby

Opera North’s Flying Dutchman scores a full house in cliché bingo

06.02.2025 10

Richard Bratby

Full house / Classical music has much to learn from Liverpool

Richard Bratby

Full house / Classical music has much to learn from Liverpool

Richard Bratby