Dost thou think, because thou art virtuous, there shall be no more cakes and ale? Most subsidised theatres hanker for political relevance. Even so,...

06.01.2025 20

Richard Bratby

A miracle at the RSC: genuinely funny Shakespeare

Dost thou think, because thou art virtuous, there shall be no more cakes and ale? Most subsidised theatres hanker for political relevance. Even so,...

02.01.2025 5

Richard Bratby

Our verdict on Pappano’s first months at the London Symphony Orchestra

Sir Antonio Pappano began 2024 as music director of the Royal Opera and ended as chief conductor of the London Symphony Orchestra. Around the...

02.01.2025 6

Richard Bratby

Opera / Meet the king of comic opera

John Savournin has been busy. That comes with the territory for a classical singer – things often get a little hectic as the music world barrels...

17.12.2024 4

Richard Bratby

Opera / Meet the king of comic opera

John Savournin has been busy. That comes with the territory for a classical singer – things often get a little hectic as the music world barrels...

17.12.2024 20

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Arts / The man who can save classical music

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Huge Fun: Le Carnaval de Venise reviewed

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The man who can save classical music

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A revelation: Delius’s Mass of Life at the Proms reviewed

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A Brigadoon better than most of us ever hoped to see

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Arts feature / How the railways shaped modern culture

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How the railways shaped modern culture

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Disconcerting but often delightful new Bach transcriptions

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The excruciating tedium of John Tavener

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Three cheers for the Three Choirs Festival

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Classical music / Why has the world turned on the Waltz King?

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Brilliant rewrite of Shakey: Hamlet, at Buxton Opera House, reviewed

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Why has the world turned on the Waltz King?

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A cross between Peter Rabbit and Queen Victoria: Bliss: The Composer Conducts reviewed

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Opera / A contradictory staging, but the music floods the ear with splendour: Semele at the Royal opera reviewed

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A contradictory staging, but the music floods the ear with splendour: Semele at the Royal opera reviewed

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I’ve rarely seen a happier audience: Grange Festival’s Die Fledermaus reviewed

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The Listener / If you think all orchestras sound alike, listen to this recording

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If you think all orchestras sound alike, listen to this recording

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Summer opera festivals have gone Wagner mad

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Thrilling: Garsington’s Queen of Spades reviewed

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Sincere, serious and beautiful: Glyndebourne’s Parsifal reviewed

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The forgotten story of British opera

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Opera / The forgotten story of British opera

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A spate of re-releases suggests that Wolfgang Sawallisch was no B-lister

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Our half-time scorecard on the Royal Opera’s Ring cycle

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Inspired: Scottish Opera’s Merry Widow reviewed

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Imagine Dua Lipa releasing an album of Victorian parlour ballads

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Poulenc’s Stabat Mater – sacred, fervent and always on the verge of breaking into giggles

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Devastating: WNO’s Peter Grimes reviewed

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Sunny Schubert and iridescent Ravel: album of the week

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Splendid revival of an unsurpassed production: Royal Opera’s Turandot reviewed

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Barbara Hannigan needs to stop conducting while singing

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The Listener / A luminous new recording of The Dream of Gerontius

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A luminous new recording of The Dream of Gerontius

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A dancing, weightless garland of gems: Stephen Hough’s piano concerto reviewed

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Spreads emotions like jam: Festen, at the Royal Opera House, reviewed

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Regents Opera’s Ring is a formidable achievement

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The thankless art of the librettist