The Nature of Gothic, at the Blackburn Museum and Art Gallery, explores the history of decorative borders over hundreds of years. It covers the period from the late medieval age to the Arts and Crafts Movement of the late 19th and early 20th centuries.

In the late medieval period, manuscripts that were produced in northern Europe often featured decorative borders that framed the text of both religious and secular works. These borders featured motifs from the classical world such as swirling acanthus leaves, Greek meanders and intricate patterns which interlace flowers, leaves and vines.

From the early decades of the 13th century these largely naturalistic forms, used to enhance the visual appeal of the page, began to be used more widely. They were added to the front of books and important sections within them, such as the beginnings of individual psalms or chapters of the Bible.

These naturalistic frames provided platforms tangible enough for figures, animals and grotesques to be placed upon. These characters often present an alternative reality to the verses of the psalms or Aristotle’s Libri Naturales that they decorate.

The meaning and intent of these spaces is yet to be fully understood. The battle of a miniature knight versus a fully armed snail, for example, might be interpreted as the moral fight against evil in the margins of the psalm. But the meaning of a tiny man pushing another in a wheel barrow adjacent to the beginning of Aristotle’s Libri Naturales is less clear.

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