Sabrina Carpenter seems to have been born on stage. There’s a clear ease with which she performs, often adding a cheeky layer of humor to her incredibly strong singing voice. It gives her that extra bit of magic that entertainers so often seek. So it’s not surprising that, when she was just 10 years old, she commanded performances.

In an Instagram clip making the rounds, we see her slaying “Come Together” by The Beatles. With total confidence, she punches every word of the John Lennon/Paul McCartney masterpiece, even daring to switch up a few notes. “He got feet down below his knees,” she croons, pretending, like many of us do, to know what it means.

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The year was 2009, and Miley Cyrus had an online fan club called MileyWorld. Cyrus and her team held auditions for a show called “Are You a Superstar?” (also known as “Be a Star”), in which Carpenter auditioned. The clip notes that Carpenter’s fabulous performances didn’t go unnoticed: “She ended up placing third out of around 7,000 participants.” (Then-16-year-old Amy Colalella ultimately won the grand prize.)

The clip’s commenters—and there are many—seem truly impressed. A few note that she’s actually singing the Michael Jackson cover of the hit tune. This prompts some to argue over which version they prefer.

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One commenter points out the meteoric rise Carpenter has taken: “15 years later, Sabrina became the second artist in history after the Beatles to have her first three songs land in the top five of the Billboard Hot 100 at the same time.”

Another commenter believes Lennon would be proud, writing, “John would be smiling. A star is born. Love it. Stays true to the melody, but adds her style and flair. Good one Sabrina.”

Carpenter tackled other songs throughout the contest, including Cyrus’ “Hoedown Throwdown” and “The Climb.” She also brilliantly covered Christina Aguilera’s “Makes Me Wanna Pray.”

She even got to meet her Hannah Montana hero at a concert. According to a 2009 news story in The Morning Call:

“Sabrina Carpenter was in the front row for Miley’s ‘Wonder Tour’ stop at the Wachovia Center in Philadelphia. She had a close view of Cyrus flying above the audience and riding a motorcycle. ‘I was kind of starstruck,’ Sabrina says. ‘It was a really awesome experience.’”

Sixteen years later, in 2025, Carpenter got the chance to pose with Cyrus at the Grammys. Kayleigh Roberts, a writer for Marie Claire, explained just how significant the moment was:

“Whoever said ‘never meet your heroes’ clearly wouldn’t have understood Sabrina Carpenter’s undying fangirl love for Miley Cyrus.

The fact that the ‘Espresso’ singer’s intense appreciation for Cyrus dates wayyy back to when she was just 10 years old is common knowledge on social media, where a photo of a young, fedora-clad Carpenter proudly posing with her idol has been making the rounds for years. So, when the singers crossed paths again at the 2025 Grammy Awards and posed for a modern recreation of the now-famous photo, fans were most definitely here for it.”

It’s once again proof that there’s room in this game for everyone, especially those with extraordinary talent. There’s no doubt that musical geniuses like The Beatles and Jackson helped pave the way for new artists like Cyrus and Carpenter to shine. And they will undoubtedly do the same for future up-and-comers not yet born.

Ifrah Mansour is no stranger to conflict.

A Somali refugee and current resident of Minneapolis, the multimedia artist and activist draws on her lived experiences to create work that explores trauma, displacement, and resilience. But like so many of the guests on Freedom to Thrive, an award-winning podcast produced by the National Immigration Law Center (NILC), Mansour doesn’t want to focus only on trauma; she also wants to celebrate the unexpected beauty she’s found during difficult experiences.

“One of the beautiful things about tragedies is that it activates hearts, and courageous people are born,” she says. For example, Mansour has noticed more Minnesotans than ever are reaching out to help the vulnerable, after the anti-immigrant crackdowns carried out by the Department of Homeland Security. “They are bringing food, they’re bringing extra clothes, they’re walking with people, and it’s just really beautiful.”

Hector Flores, co-founder of the Las Cafeteras and host of Freedom to Thrive, agrees with her. A child of immigrants himself, he has also seen how hope and hardship often live side by side.

Flores comes from a family with mixed status and is highly aware of the challenges immigrants and refugees in his community face, and how they’re affected by people’s misconceptions. “People want to know about trauma all the time, but we’re more than just undocumented,” he says. “We’re artists, singers, creatives … there’s so much richness in the culture.”

At its core, Flores’ comment is exactly what the Freedom to Thrive podcast is all about: Celebrating immigrants as complex, dynamic individuals, and challenging the dominant narrative that too often reduces them to symbols of hardship.

Launched in 2024, Freedom to Thrive explores heritage, resilience, community, and the ways art and comedy can spark social change. Now in its second season, the podcast continues to feature conversations with immigrants, policymakers, artists, musicians, activists, and more. Recent guests have included comedian Mo Amer, Grammy Award-winning singer Lila Downs, and Pulitzer Prize-winning author Viet Thanh Nguyen.

Where the first season focused on individual stories of identity and belonging, Flores says his goal for season two, where he joins as host, is to “take it to the next level” — using storytelling to highlight “the fact that we’re more similar than different.”

One recent podcast episode drives this point home. In December, Flores interviewed Bryan Andrews, a rising country music star and rural Missouri native who frequently uses his platform to speak about issues affecting immigrant families. At the heart of his message and his songwriting, Andrews says, is the idea that small-town Americans and the rest of the country, including immigrants, have more in common than they realize.

“It doesn’t matter where you’re from,” Andrews says on the podcast. “We’re all trying to make a living and we’re tired of getting railroaded by corporate greed or by politicians who don’t care.”

Rural Americans, Andrews says, are often stereotyped as racist and misogynistic but “the overwhelming majority of people in my home town have love in their hearts.” Media stereotypes often amplify differences and divide, he says, but at the end of the day, “we’re all in this together.”

Flores, who was raised in a working-class immigrant neighborhood in East Los Angeles, had similar thoughts. He says he often sees its residents stereotyped as wealthy, consumerist, and status obsessed. “That exists, but that’s not my life, that’s not my community,” he says. Like small-town Americans, people in the city “just want to work hard and take care of their families. We all want the same thing.”

Although the podcast tackles some heavy issues, each episode’s ultimate focus is how personal and collective struggles can be healed through art, driving home a message of hope and resilience: 

Mansour’s episode about her experiences in Minnesota is just one of many examples. Flores asks her,

“What gives you hope for the people creating a home here?”

“The love I feel from other Minnesotans. It is trumping any hate we’re experiencing,” she replies.

CTA: Stream all episodes now on the Freedom to Thrive YouTube channel or the website, here. 

The podcast has been nominated for a Webby in the “Belonging & Inclusion” category. You can vote for it to win until Thursday, April 16!

This article is part of Upworthy’s “The Threads Between U.S.” series that highlights what we have in common thanks to the generous support from the Levis Strauss Foundation, whose grantmaking is committed to creating a culture of belonging. 

The final performance of singer Marirose Powell has people welling up all over TikTok because of the soulful way she sang “Landslide” by Fleetwood Mac while in hospice care. Powell performed as Stevie Nicks in a Fleetwood Mac cover band for over twenty years, so the song was a major part of her life.

A week before she died from cancer, some friends showed up at her home and asked what she would like to sing. “And she said, ‘I want to sing ‘Landslide.’ And so she sang ‘Landslide’ one last time,” Powell’s daughter-in-law, Sam Xenos, who posted the video on TikTok, told People. 

In the video, Powell grabs the railing over the medical bed as she sings a song about the inevitability of the passing of time. The song had to have taken on an even greater meaning as Powell was in the final days of her life. “I’ve been afraid of changing because I built my world around you,” Powell sings. “Time makes you bolder, and even children get old and I’m getting older, too.”

“My mother-in-law performed as Stevie Nicks for decades,” Xenos wrote in a video overlay. “This was her final performance before she passed the following week.” In the caption, she added there wasn’t “a........

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