Fashion designer Betsey Johnson was punk rock before punk rock was even a thing. In the 1960s, she won the Mademoiselle Guest Editor contest. By 1969, she had her own store with Andy Warhol favorite Edie Sedgwick as one of her top models. By the ’70s, Johnson was the go-to for many rockers, and by the 1980s…she was a household name.

Turning 83 does not seem to have slowed her down. In a fabulous speech posted recently on Advanced Style’s Instagram page, Johnson does the splits to prove that age really is just a number. She stands in her signature black and white striped low-waisted dress, with punk golden blonde spiky bangs and red lipstick, while she dives deep into what it means to be over 80.

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You finally gel at 80

In hot pink lettering, the chyron on the video reads, “Betsey Johnson on aging and acceptance at 83.” Johnson begins by sharing that one’s 80s are an amazing time. “You finally gel. Whatever, you’re cooked! You’re done. And hopefully, you have the confidence to enjoy the cooking process all the years.”

We hear a gasp as Johnson then flings herself into her signature splits. (Note: she has often been known to do these at the end of fashion shows and on red carpets.) Of the fact that she can do them with such ease, she says, “Of course I do, darling. I swore that I always would. I was an aerialist. I never wanted to stiffen up. So I promised, I just said ‘ya know, if you can do the splits every year, that would be a good thing.’”

She then confesses that one of her signature looks is an absolute must for her to function. “Everyone knows I can’t work, I can’t talk, I can’t think, I can’t do anything but sleep without lipstick. I’m always putting lipstick on.” She admits, however, that there’s not much more to her youthful vibe. “But I have no beauty regime. No nothing.”

The interviewer asks what the secret is to “looking so fab.” Johnson is now wearing a gold crown and begins to pull on her face. At first, she mentions needing a lot of “work,” but then she stops herself. “I have to live with what’s happening now.” While she says she tweaked a little in her 60s and 70s, she’s “finally at the point where I have to accept I feel good. That to me is the major thing. I really feel great!”

She reiterates that she doesn’t “feel” old. “I don’t feel my age at all. I feel maybe 32, 35, something like that. And 80 doesn’t mean that I can’t wear anything that I wouldn’t wear at 20.”

Speaking of, she shows off her incredible closet. “I have the designer closet from hell,” she says, confessing that she only wears about five outfits and no longer “bothers with clothes.” In a sense, this is how it’s always been. “I’ve always liked what I’ve liked, and if it’s fashionable, great, if it isn’t, great! That’s why my favorite stuff is years old.” She holds up an oddly shaped, colorful dress. “This is from 1983,” she shares.

She continues, “I think there’s a real need for ‘weird.’ You know, just off-center. You just don’t expect it. You’ve never seen it. It’s brand new, it’s a surprise! You feel young again. You’re seeing something new. Well, weird is something great on top of ‘new.’”

Johnson then shows off some incredible items from the closet, one of which is a dress made out of old hair extensions! There are also blue sequined ’60s vintage vests, and an old Vivienne corset. It all makes sense when she explains she always wanted to be a Rockette. “All my dancing costumes were my entire inspiration for all my stuff.” “

She finishes by reiterating how important it is to own who you are. “If you don’t celebrate now, it’s a different kind of celebration. I like that I’m free from the memories. It’s not this, it’s not that, I can be brand new. Whatever!”

There are over 185,000 likes and 11,000 comments from other celebrities and fans. Musician Annie Lennox enthusiastically shares, “Absolutely BRILLIANT, Betsey!”

Another fan writes that Johnson continues to serve as an inspiration. “She’s always so kind and full of excitement for life. It’s no surprise she’s in such great health. I aspire.”

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A post shared by Betsey Johnson (@betseyjohnson)

And this fan is moved by Johnson’s sentiment, writing, “Besides loving your over-the-top sense of fashion, and the products you have created, seeing this raw interview of you is absolutely priceless and SO INSPIRING! My mother is a spry artist 84 years young. Her positive outlook is what keeps her going. My job is to keep her looking fabulous at every time. Doing splits at 80? I will definitely share this with her! – Your Drag Queen Fan”

Music, community and joy drive real change

In a small village in Pwani, a district on Tanzania’s coast, a massive dance party is coming to a close. For the past two hours, locals have paraded through the village streets, singing and beating ngombe drums; now, in a large clearing, a woman named Sheilla motions for everyone to sit facing a large projector screen. A film premiere is about to begin. 

It’s an unusual way to kick off a film about gender bias, inequality, early marriage, and other barriers that prevent girls from accessing education in Tanzania. But in Pwani and beyond, local organizations supported by Malala Fund and funded by Pura are finding creative, culturally relevant ways like this one to capture people’s interest. 

The film ends and Sheilla, the Communications and Partnership Lead for Media for Development and Advocacy (MEDEA), stands in front of the crowd once again, asking the audience to reflect: What did you think about the film? How did it relate to your own experience? What can we learn? 

Sheilla explains that, once the community sees the film, “It brings out conversations within themselves, reflective conversations.” The resonance and immediate action create a ripple effect of change.

Across Tanzania, gender-based violence often forces adolescent girls out of the classroom. This and other barriers — including child marriage, poverty, conflict, and discrimination — prevent girls from completing their education around the world. 

Sheilla and her team are using film and radio programs to address the challenges girls face in their communities. MEDEA’s ultimate goal is to affirm education as a fundamental right for everyone, and to ensure that every member of a community understands how girls’ education contributes to a stronger whole and how to be an ally for their sisters, daughters, granddaughters, friends, nieces, and girlfriends. 

Sheilla’s story is one of many that inspired Heart on Fire, a new fragrance from the Pura x Malala Fund Collection that blends the warm, earthy spices of Tanzania with a playful, joyful twist. Here’s how Pura is using scent as a tool to connect the world and inspire action.

A partnership focused on local impact, on a global mission

Pura, a fragrance company that recognizes education as both freedom and a human right, has partnered with Malala Fund since 2022. In order to defend every girl’s right to access and complete 12 years of education, Malala Fund partners with local organizations in countries where the educational barriers are the greatest. They invest in locally-led solutions because they know that those who are closest to the problems are best equipped to solve and build durable solutions, like MEDEA, which works with communities to challenge discrimination against girls and change beliefs about their education. 

But local initiatives can thrive and scale more powerfully with global support, which is why Pura is using their own superpower, the power of scent, to connect people around the world with the women and girls in these local communities. 

The Pura x Malala Fund Collection incorporates ingredients naturally found in Tanzania, Nigeria, Pakistan, and Brazil: countries where Malala Fund operates to address systemic education barriers. Eight percent of net revenue from the Pura x Malala Fund Collection will be donated to Malala Fund directly, but beyond financial support, the Collection is also a love letter to each unique community, blending notes like lemon, jasmine, cedarwood, and clove to transport people, ignite their senses, and help them draw inspiration and hope from the global movement for girls’ education. Through scent, people can connect to the courage, joy, and tenacity of girls and local leaders, all while uniting in a shared commitment to education: the belief that supporting girls’ rights in one community benefits all of us, everywhere. 

You’ve already met Sheilla. Now see how Naiara and Mama Habiba are building unique solutions to ensure every girl can learn freely and dare to dream.

Naiara Leite is reimagining what’s possible in Brazil

In Brazil, where pear trees and coconut plantations cover the Northeastern Coast, girls like ten-year-old Julia experience a different kind of educational barrier than girls in Tanzania. Too often, racial discrimination contributes to high dropout rates among Black, quilombola and Indigenous girls in the country. 

“In the logic of Brazilian society, Black people don’t need to study,” says Naiara Leite, Executive Coordinator of Odara, a women-led organization and Malala Fund partner. Bahia, the state where Odara is based, was once one of the largest slave-receiving territories in the Americas, and because of that history, deeply-ingrained, anti-Black prejudice is still widespread. “Our role and the image constructed around us is one of manual labor,” Naiara says. 

But education can change that. In 2020, with assistance from a Malala Fund grant, Odara launched its first initiative for improving school completion rates among Black, quilombola, and Indigenous girls: “Ayomidê Odara”. The young girls mentored under the program, including Julia, are known as the Ayomidês. And like the Pura x Malala Fund Collection’s Brazil: Breath of Courage scent, the Ayomidês are fierce, determined, and bursting with energy.

Ayomidês take part in weekly educational sessions where they explore subjects like education and ethnic-racial relations. The girls are encouraged to find their own voices by producing Instagram lives, social media videos, and by participating in public panels. Already, the Ayomidês are rewriting the narrative on what’s possible for Afro-Brazilian girls to achieve. One of the earliest Ayomidês, a young woman named Debora, is now a communications intern. Another former Ayomidê, Francine, works at UNICEF, helping train the next generation of adolescent leaders. And Julia has already set her sights on becoming a math teacher or a model. 

“These are generations of Black women who did not have access to a school,” Naiara says. “These are generations of Black women robbed daily of their dreams. And we’re telling them that they could be the generation in their family to write a new story.” 

Mama Habiba is reframing the conversation in Nigeria 

In Mama Habiba’s home country of Nigeria, the scents of starfruit, ylang ylang and pineapple, all incorporated into the Pura x Malala Collection’s “Nigeria: Hope for Tomorrow,” can be found throughout the vibrant markets. Like these native scents, Mama Habiba says that the Nigerian girls are also bright and passionate, but too often they are forced to leave school long before their potential fully blooms. 

​​“Some of these schools are very far, and there is an issue of quality, too,” Mama Habiba says. “Most parents find out when their children are in school, the girls are not learning. So why allow them to continue?” 

When girls drop out of secondary school, marriage is often the alternative. In Nigeria, one in three girls is married before the age of 18. When this happens, girls are unable to fulfill their potential, and their families and communities lose out on the social, health and economic benefits.

Completing secondary school delays marriage, and according to UNESCO, educated........

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