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Abandon The Fragile Feminist Monoculture Making Men And Women Miserable

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14.05.2026

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Abandon The Fragile Feminist Monoculture Making Men And Women Miserable

The novel everyone is reading this summer isn’t really about tradwives. It’s a reminder of what feminism has always insisted: the patriarchy is the punishment.

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The newly released novel, Yesteryear, by Caro Claire Burke, features a tradwife who gets transported back to the 19th century to live a truly trad life. Deeply humbled by her experience, the tradwife desires to return to the present day, replete with the luxuries afforded to her by the feminists she disdains. Already a New York Times bestseller, the novel is set to be adapted for film by Anne Hathaway.

It takes little imagination to anticipate how the film adaptation will go: Hathaway will be deeply humbled by her experience and desire to return to the present day, replete with the luxuries afforded to her by the feminists she disdains. Much like the dystopian vision of The Handmaid’s Tale, it will amount to a scolding for those lacking gratitude for feminism. The implicit message is exactly what feminists have always insisted: conservative women who embrace domesticity are either frauds, victims, or too dim to know the difference.

I’ve been writing about feminism for more than a decade. The main opposition is almost always the same: tedious clichés and skimpy narratives. I’m told that I want women to be subjected to vile men with no way to escape or that I don’t think women should work or vote. And then, there is some effort to remind me how I have personally benefited from feminism — usually because of my doctorate, or public voice. These tired arguments, gracing comment boxes, social media, and a wide array of publications, are repetitive, unthinking, self-righteous.

Few realize that these exhausted sound bites were established decades ago to protect feminism from criticism. Media, academia, and vocal influencers pushed these talking points deeply into the culture. They’ve become so entrenched that they’ve scarcely needed adjusting from outside pressure and remain so dominant that Hollywood can bank........

© The Federalist