By definition, a ‘cult’ film, commonly referred to as a cult classic, is a film that has acquired a cult following with a specific group of fans. Cult films are often known to be eccentric, do not follow traditional standards of mainstream cinema and usually explore topics not considered in any way mainstream, yet there are examples that are relatively normal (Wikipedia). In India, cult films are often defined by their initial failure to draw in packed theatres or be commercially successful, but they acquire archival value among the same and following generations. Some examples of cult films in India are Mughal-e-Azam, Sholay and yes, Mera Naam Joker. They were turnips at the box office during the first week or two of their release. Mera Naam Joker did not pick up later but over time, all three have become the greatest cult films in the history of Indian cinema.

Jaane Bhi Do Yaaro (1983) was a commercial failure when it was first released perhaps because in the ‘happily-ever-after’ ambience of that time, the ‘sad’ ending did not jell with audience expectations. Today, reality is admired and sad endings are considered more real than fictional and that is what large sections of the audience are fond of. Ishaqzaade for instance, or, Quayamat Se Quayamat Tak were thumping box office hits in spite of, or perhaps because of their tragic endings, because the young audience took it as a reflection of life around us. A digitally restored print of JBDY was released on 2 November 2012 at theatres across Indian cities.

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