In the recent Netflix movie, A House of Dynamite, an intercontinental ballistic missile of unknown origin is detected streaking across the Pacific on a course that, in less than 20 minutes, will turn Chicago to ash. Efforts to shoot the missile down fail, as the ground-based interceptors, or GBIs, miss their target and, as the seconds count down, the president, played by Idris Elba, has only seven minutes to decide how to respond. The consequences of his decision, which the film leaves open, could mean the end of human civilization and even most life on Earth.

What was the official response to the film? A week before it streamed, the Pentagon’s Missile Defense Agency (MDA) produced a memo attacking the film’s credibility. America’s GBIs, they said, are much more accurate than portrayed in the movie, with a 100% success rate. (The Center for Arms control puts that figure at 55% in carefully controlled tests.) And an article published by the West Point-based Modern War Institute argues that the film’s premise is flawed since no adversary would launch just a single missile at the United States.

It was also judged illogical that the president’s choices were limited to “surrender” or “suicide”—the latter meaning all-out nuclear war. The country could absorb the loss (meaning the 10 million inhabitants of Chicago) and respond only after the missile’s source had been determined. Finally, as the MDA memo helpfully pointed out, the plot of A House of Dynamite is “fictional” and “intended for the entertainment of the audience.” In other words, it’s just another disaster movie.

These themes are not new to governmental pronouncements on films about nuclear war. In the 1959 feature On the Beach, Gregory Peck plays the captain of a submarine that is America’s last surviving naval vessel as it docks in Melbourne, Australia after the entire Northern Hemisphere has been wiped out in a nuclear war—and a cloud of deadly radioactive fallout is inexorably making its way south. After a brief stay and with the inevitability of death by radiation poisoning, the crew votes to return to the US and die at home.

Which way will the Trump administration go in response to Nuclear War: A Scenario the movie? If the film is faithful to the book, it should have an even more devastating impact than The Day After.

Two weeks before the film’s worldwide release, the United States Information Agency produced an “Infoguide” stating that the film was “highly fictionalized and contains scientific inaccuracies.” It argued that, because fallout diminishes rapidly, it would only affect countries directly attacked or those nearby. Moreover, shelters and decontamination measures were effective against fallout and, as far away as the Southern Hemisphere, “if any protection at all were needed, an ordinary basement would suffice.” A later Infoguide reporting on the premier noted: “Most critics review [the] film as pure drama and there has been little emphasis on social and political significance.” In other words, no big deal.

Five years later, in 1964, Doctor Strangelove or: How I Learned to Stop Worrying and Love the Bomb, starring Peters Sellers in three different roles, was released. In this dark comedy, a psychotic Air Force General orders the B-52 bombers under his command to attack the Soviet Union, sparking a concerted but unsuccessful effort by the president and his advisers to recall the planes. As a single B-52 gets through and the plane’s pilot rides a nuclear bomb down to its target, it is revealed that the Soviets have a yet-to-be announced “Doomsday Machine” that, upon the country being struck by a nuclear weapon, will automatically trigger the detonation of a massive array of cobalt bombs whose radiation will render the Earth uninhabitable for a century.

Although obviously a farce, the film was panned as “juvenile, offensive, and........

© Common Dreams