The classic television gameshow is one of the simplest pleasures available to the sedentary, socially maladjusted people we used to call “couch potatoes”. An average Joe is required to perform a task – ranging from answering a trivia question or spinning a large, colorful wheel to keeping a hand on a Toyota Land Cruiser for as long as possible – in exchange for the possibility of winning a cash prize (or a truck). For the viewer, there is the satisfaction of believing, perhaps falsely, that you could win the prize if you were in the contestant’s place. Maybe you identify with that contestant and actively root for their success. Or perhaps you just want to see some poor bastard shot out of a cannon, like on TBS’s dearly departed series Wipeout. Whatever your pleasure might be, it’s not an uncommon or esoteric one.

We watch gameshows because they are basic human drama distilled into an easily repeatable format. TV development executives have tried to modernize it with the fancy graphics of something like NBC’s The Wall or the gratuitous flesh-baring of the 2000s disasterpiece Are You Hot, in which a panel of “celebrity” judges such as Lorenzo Lamas critiqued people on the number of visible abs on their bodies. The simpler a gameshow premise – guessing the cost of basic household items, answering multiple choice questions in a spooky room, or

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