Qatar is even more in the spotlight because of the ongoing talks there on the Gaza issue, but with the World Museum Day just gone by, it is also worthwhile to see the implications of the spectacular Museum of Islamic Art in Doha. As an exposition of the apparent grandeur and breadth of Islamic endeavour in the arts, the museum offers a very eloquent counter to the impression that the religion and its adherents have scarce respect for or interest in this field.

However, visitors cannot help but notice that many of the exhibits are not Islamic at all but pre-Islamic. Once upon a time that chronology would have been enough to deem them un-Islamic in the eyes of the faithful, but there are clearly cleverer minds at work nowadays than the preachers of doctrinaire Islam that led the Taliban to blow up the Bamiyan Buddhas in Afghanistan in 2001 and also loot and destroy around 2,750 antiquities at the Kabul Museum.

That led many around the world to fear for the future of all antiquities in museums in Islamic countries as well the safety of pre-Islamic architectural and cultural heritage sites in territories in their control. Something had to be done to reassure the world that all those within the Islamic world were not inevitable ‘iconoclasts’ when it came to art that did not conform to its strict tenets. Setting up institutions that would help control the narrative became an imperative.

Thanks to the deep coffers of the Qatari dynasty, smart money was invested in collecting not only ‘Islamic art’ but also ‘art from the Islamic world’ (past and present) for the Museum of Islamic Art—designed by the legendary IM Pei—in 2008. It now contains a magnificent, varied body of work, even from countries like India and Spain that are no longer ruled by Muslim dynasties,........

© News18