The Art of the Steal and the Privatization of the Presidency
CounterPunch Exclusives
CounterPunch Exclusives
The Art of the Steal and the Privatization of the Presidency
Photograph Source: The White House – Public Domain
In his State of the Union address, President Trump declared that America is entering a “Golden Age.” Golden for whom?
For a president who lives lavishly in a taxpayer-funded mansion, jets around to weekend golf getaways at taxpayer expense, and dismisses concerns about “affordability” as fake news, life might indeed be gilded.
For the rest of the country, it is fool’s gold.
Nearly six-in-ten Americans say the country is worse off now than it was a year ago. Groceries cost more. Utilities cost more. Housing costs more.
For millions of families, this is not a golden age.
It is a painful lesson in imperial economics: the billionaire class lives large while “we the people” are told to live small.
Trump is not working to make America great again. He is working to expand his wealth, protect his investments, and rule in gilded comfort at taxpayer expense.
As a candidate, Trump promised to “drain the swamp.”
Instead, the swamp has been privatized.
When it comes to the true state of our nation, Americans would do well to examine not just what the Trump administration has accomplished—or failed to accomplish—but who has profited.
The highest public office in the land has become a personal revenue stream for Donald Trump & Co.—a vehicle for private enrichment that monetizes access, influence and public assets while the public pays the tab.
To monetize the presidency is to treat public power as property—something to be leased, leveraged and exploited for private gain.
This is how you bilk a nation.
The man who once lent his name to the ghostwritten The Art of the Deal is now authoring a far more instructive manual: The Art of the Steal—a step-by-step guide to how to convert a constitutional republic into a personal brand.
According to the New York Times Editorial Board, “Trump has used the office of the presidency to........
